Dating ampeg cabinets
The V Series Ampegs were designed by Dennis Kager, and remain very much within the Ampeg ethos – or, perhaps more accurately, represent an extension and enlargement of that ethos.As a result, this VT-22 is unlike anything before it; it doesn’t come close to copying any of the popular Marshall, Fender, or Vox amps of the era, and instead does its own thing entirely.
Production models weren’t out yet and backup rigs weren’t an option, so Ampeg’s Rich Mandella joined the tour as the official SVT babysitter.In the past, Ampeg also manufactured several instruments including pickups, double basses, bass guitars, and electric guitars.Everett Hull, a pianist and bassist, and Stanley Michaels, an electrical engineer and amp technician, established Michaels-Hull Electronic Labs in Newark, New Jersey in 1946.This individuality is seen in a plethora of oddball tubes employed in the circuit, and some extremely versatile frequency-shaping capabilities in its tone stack and unique sensitivity and voicing switches.The circuit and the tubes used in it evolved slightly through the ’70s, but this 1972 example follows the classic topology.Also, do you know of where I could get a replacement Lucite plate? Art Pittsburgh, Pennsylvania Hey Art, Ampeg’s B-15 is one of my all-time favorite amps, not only because of its fantastic tone and universal application, but also because of its unique design and versatility.
While Ampeg founder Everett Hull didn’t reach the success that Leo Fender achieved, they were two of the most innovative men in the guitar industry between the 1940s and 1960s.
Ampeg is a manufacturer of musical instruments, especially the musical instrument amplifier, established by Everett Hull and Stanley Michaels in 1946, and now headquartered in Woodinville, Washington.
Although the company specializes in the production of bass amplifiers (for bass guitars and double basses), they also manufacture guitar amplifiers.
The 1972 Ampeg VT-22 is the 2×12″ combo of the V Series, and was the sibling, circuit-wise, of the V-4 head and V-40 4×10″ combo.
All used four 7027A output tubes to generate a conservatively rated 120 watts, which can often top 140 watts downhill with a good tailwind… And though we say this was a rock-intended amp, it was rock as intended it – bold, punchy, clear, and ungodly loud. Perhaps fewer players than back in the day, but, back when it was introduced, it proved to be exactly what plenty of touring pros required, most notably the Rolling Stones.
The 1969 Summer of Love is often remembered as a time of classic music, flower power, and few inhibitions, all of which was epitomized by the 3-day Woodstock Music & Art Fair.